Two Books—Two Books—Two Books in One!

Stylistically speaking at least. It appears that in tone, Subject to Verification is two books. A warm familiar tone in the first, or memoirish part, and a more contrived and theatrical tone that is a toned-down version of what I did on stage—a distinctly cooler voice.

So what I'm hearing via feedback and my own examination is that I should rewrite the second half but in the tone of the first. Warm, brother/sisterly.

The exciting thing is that part of working out these voices would be in the movie, which is starting to show itself bit by bit.

I want to do this again. Road Trip!